剧情简介
于日本刚刚放送完毕的《Tiger Bunny》最终25话里，各英雄施展看家本领最终都把最终Boss捉拿了，但今话已经是最后一话了，难道我们已经再没有机会看虎叔卖萌，和宾尼兔打情骂俏？ 而呑噬之蛇这个组织又是否完全瓦解？对于这种种的问题，喜欢看《Tiger & Bunny》的朋友可以放心了，因为在最终话的最后突然宣布“NEXT PROJECT始动!”的消息，果然信虎叔得永生。
胖子的穿越之旅
于日本刚刚放送完毕的《Tiger Bunny》最终25话里，各英雄施展看家本领最终都把最终Boss捉拿了，但今话已经是最后一话了，难道我们已经再没有机会看虎叔卖萌，和宾尼兔打情骂俏？ 而呑噬之蛇这个组织又是否完全瓦解？对于这种种的问题，喜欢看《Tiger & Bunny》的朋友可以放心了，因为在最终话的最后突然宣布“NEXT PROJECT始动!”的消息，果然信虎叔得永生。
年少二人组
回复 :"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
许孟哲
回复 :近距离观察纽约著名的勒诺克斯山医院的四位医生（两位脑外科医生、一位急诊室医生和一位住院妇产科主任医生）的生活，记录了他们工作中的跌宕起伏。该剧集以非同寻常的观察能力和独特的视角，展现了每位医生在平衡个人和职业生活方面所做出的努力，并深入探讨了每位患者的个人之旅。从出生到脑部手术，每份病例都为我们提供了一个难得的机会，让我们一窥复杂、迷人、情绪化的医学世界。阿迪·巴拉什和鲁蒂·沙茨担任导演和制作人。
张鹏
回复 :高中入学第一天，在新生欢迎会上看到乐队“SSGIRLS”的演奏的新生木野日鞠，崇拜上担任吉他主唱的朝凪依，对她一见钟情。被日鞠告知这份心意的依，对日鞠产生了名为“一见钟情”的恋慕之心。崇拜与恋慕。同样的“喜欢”却也有着不同的心意。面对擦肩而过的两人的关系，乐队成员的想法也交织在一起……两人的一见钟情，不久便开始奏出鲜明的青春——
