医生路易斯（Dale Midkiff 饰）因工作关系，午夜携妻子瑞秋（Denise Crosby 饰）、午夜女儿艾莉和儿子普吉离开芝加哥搬到了某小镇中，新家近傍公路，屋后有一条蜿蜒小路。邻居杰德（Fred Gwynne 饰）老人介绍小路通往宠物坟场，那里埋着多年来死在公路上的动物们。第一天上班，路易斯就遭遇了一位重伤死亡的患者，他仿佛看到死者对他说话，对方声称为了感谢他的救助，将阻止他接近鬼魂。不久，儿女的猫被车撞死，杰德带领路易斯将猫埋葬在山上的印第安坟场，而猫竟然复活了，担心女儿伤心的路易斯松了一口气，但复活的猫咪变得异常暴力与恶臭。数天后，小儿子不幸被车撞死，伤心欲绝的路易斯想把儿子的尸体埋入印第安坟场……
红布条
回复 :传说中，猫脸老太太死后被黑猫附身，半人半猫，极为凶残。然而，并没有人真正的见过此人，又或许，见过她的人，都已经不在这个世上了。小春（吴曦 饰），小秋（王翀 饰）、小夏（田淼 饰）和小冬（王聃葳 饰）是周家的四兄妹，他们的母亲在一个寒冬的夜晚冻极而死，纷飞的大雪和神出鬼没的黑猫带来了极为不祥的预感。古镇之中，有关猫脸老太太的传闻死灰复燃，幽静的大宅里，接连发生着令人毛骨悚然科学无法解释的灵异事件。死亡的诅咒笼罩在周家四兄妹的周围，对此毫无办法的四人只有逃！逃！逃！可是，他们能够短暂逃脱死亡的纠缠，但又是否能够逃脱良心的谴责和因果的轮回呢？
范宗沛
回复 :After observing a hauntingly familiar abnormal CAT scan of a 13 year old girl, radiologist Nina Evanko battles to find the source of the young girl's sleeping disorder. What she discovers is darker and stranger than she could have imagined.
何忻翰
回复 :The film accompanies Magaye Niyang, a star of Touki-Bouki, a 1972 classic directed by her own uncle Djibril Diop. Following this path, we are witness of Niyang travel to a special screening of the film, which has a public release in his old town. Niyang seems detached and with a heavy longing from the past, and therefore, the film debris permeates everything with unescapable sorrow and fascination.Diop film is, first and foremost, a nostalgic travel through memory, time and recreation. It is also a watermark in contemporary experimental documentary, a very intimate portrait of a lost long journey through the past that isn’t returning anymore, a detachment of rejected fame, recognition and connection which is heavily grounded on a legacy that belongs to the past, and that connects directly to a country (Senegal) and its heritage, which is sometimes feel excruciating for the old ones (a testimony such as the taxi scene in the film, where the cab driver longs for changes, and claims that the old generation had done nothing for that).Mille Soleils (A Thousand Suns) and, in itself, Mati Diop’s crucial talent, should be a point of reference into what could easily be one of the most interesting proposals of hybrid documentary cinema which has come from France, and which deals with a strong African heritage. Since 35 Rhums, where she proved her actress talent, Diop seems like a true promise for the following years of cinema.
